It seems excessive…but that doesn’t mean it didn’t happen. The mass of black curls. The top hat. The cigarette dangling from pouty lips. These are the trademarks of one of the world’s greatest and most revered guitarists, a celebrity musician known by one name: Slash. Saul “Slash” Hudson was born in Hampstead to a Jewish father and a black American mother who created David Bowie’s look in The Man Who Fell to Earth. He was raised in Stoke until he was 11, when he and his mother moved to LA. Frequent visitors to the house were David Bowie, Joni Mitchell, Ronnie Wood and Iggy Pop. At this time Slash got into BMX bikes and would eventually turn professional, winning major awards and money, but at 15 his grandmother gave him his first guitar. Sessions with numerous local LA rock bands followed until a fateful meeting with singer W Axl Rose…and the rest was rock history. Guns N’ Roses spent two years builiding their reputation before Appetite for Destruction was unleashed on an unsuspecting world. Chart success and global domination followed but with it came the inevitable fall – addicted to heroin, booze and cigarettes the band imploded in a rift between Axl and Slash that is as deep today as ever. But with a new wife, kids and new band Velvet Revolver, Slash is back on track. As raucous and edgy as his music, Slash sets the record straight and tells the real story as only Slash can.

This book is a radical plea for the centrality of experience in the social and human sciences. Lash argues that a large part of the output of the social sciences today is still shaped by assumptions stemming from positivism, in contrast to the tradition of interpretative social enquiry pioneered by Max Weber. These assumptions are particularly central to economics, with its emphasis on homo economicus, the utility-maximizing actor, but they have infiltrated the other social sciences too. Lash argues for a social sciences based not in positivism's utilitarian a priori but instead in the a posteriori of grounded and embedded subjective experience. His wide-ranging account starts from considerations of ancient experience via Aristotle's technics, continues through a politics of Hannah Arendt's 'a posteriori' public sphere and concludes with the contemporary - with technological experience, on the one hand, and with Chinese post-ontological thought, in which the 'ten thousand things' themselves are doing the experiencing, on the other. This original book by a leading social and cultural theorist will be of great interest to students and scholars in sociology, cultural studies and throughout the social sciences.

This book is Lash's most comprehensive statement in social and cultural theory. It is a book addressed to sociologists and philosophers, to students of urban life, modern languages, cultural studies and the visual arts.

Alongside the Enlightenment has emerged another modernity. This second modernity has - in opposition to the Enlightenment rationality of progress, order, homogeneity and cognition - initiated a different rationality of uncertainty, transience, experiment, and the unknowable. This second, this other modernity, is present in notions of 'difference' and 'reflexivity' so central to the contemporary world-view. The logic, however, of such notions can, itself, lead to the same unhappy abstraction of the first modernity. What is forgotten, Scott Lash argues, is the dimension of the ground. This book consists of explorations into this ground: as place, community, belonging, sociality, tradition, life-world; as symbol, sensation, in the tactile character of the sign. The book addresses the other modernity's forgotten ground.

The first and second modernities co-existed in a state of irresolvable tension along the history of western industrial capitalism. This is thrown into crisis, Lash argues, with the turn of the twenty-first century emergence of the global information culture. What are the implications of this explosion of first and second modernities into today's technological culture? When the previously existing third space of difference is exploded into the general indifference of information and communication flows? How might we lead our lives in an age in which difference - and indeed the ground itself - become primarily a matter for memory, for mourning?

This book is Lash's most comprehensive statement in social and cultural theory. It is a book addressed to sociologists and philosophers, to students of urban life, modern languages, cultural studies and the visual arts.

Alongside the Enlightenment has emerged another modernity. This second modernity has - in opposition to the Enlightenment rationality of progress, order, homogeneity and cognition - initiated a different rationality of uncertainty, transience, experiment, and the unknowable. This second, this other modernity, is present in notions of 'difference' and 'reflexivity' so central to the contemporary world-view. The logic, however, of such notions can, itself, lead to the same unhappy abstraction of the first modernity. What is forgotten, Scott Lash argues, is the dimension of the ground. This book consists of explorations into this ground: as place, community, belonging, sociality, tradition, life-world; as symbol, sensation, in the tactile character of the sign. The book addresses the other modernity's forgotten ground.

The first and second modernities co-existed in a state of irresolvable tension along the history of western industrial capitalism. This is thrown into crisis, Lash argues, with the turn of the twenty-first century emergence of the global information culture. What are the implications of this explosion of first and second modernities into today's technological culture? When the previously existing third space of difference is exploded into the general indifference of information and communication flows? How might we lead our lives in an age in which difference - and indeed the ground itself - become primarily a matter for memory, for mourning?

"Modernity and Identity" is a groundbreaking collective work which announces a radical new departure within contemporary debates on modernism and postmodernism.

While dominant conceptions of both modernism and postmodernism are centered around motions of statis and fixity, for most of the otherwise quite diverse writers in this book, modernity is a matter of movement, of flux, of change and of unpredictability.

Modernity and postmodernity are shown to mean, not the 'end of the subject' but the transformation and creation of new forms of subjectivity. Anthropological concepts are brought squarely into the heart of the modernity controversies, which are then recast in the context of tradition, globalization and of the crisis of identity in a newly de-centred world system.

The possibility of a third way is opened up, rejecting the opposition between the impersonal rationality of high modernism and the rationalist anti-ethics of postmodernism. The vision in this book is that of another modernity, which counter-poses Baudelaire to Rousseau, and loyalist ethics to abstract blueprints for social and political reorganization.

This book will be essential reading for students of sociology, cultural studies, literary theory, anthropology, urban studies and philosophy.

(Guitar Recorded Versions). Over 20 songs in accurate notes and tab from the hard rocker's various projects: Anastasia * Beggars and Hangers On * Civil War * Dirty Little Thing * The Godfather (Love Theme) * Mr. Brownstone * November Rain * Paradise City * Patience * Slither * Sweet Child O' Mine * Used to Love Her * Welcome to the Jungle * and more.

This book is a radical plea for the centrality of experience in the social and human sciences. Lash argues that a large part of the output of the social sciences today is still shaped by assumptions stemming from positivism, in contrast to the tradition of interpretative social enquiry pioneered by Max Weber. These assumptions are particularly central to economics, with its emphasis on homo economicus, the utility-maximizing actor, but they have infiltrated the other social sciences too. Lash argues for a social sciences based not in positivism's utilitarian a priori but instead in the a posteriori of grounded and embedded subjective experience. His wide-ranging account starts from considerations of ancient experience via Aristotle's technics, continues through a politics of Hannah Arendt's 'a posteriori' public sphere and concludes with the contemporary - with technological experience, on the one hand, and with Chinese post-ontological thought, in which the 'ten thousand things' themselves are doing the experiencing, on the other. This original book by a leading social and cultural theorist will be of great interest to students and scholars in sociology, cultural studies and throughout the social sciences.

From one of the greatest rock guitarists of our era comes a memoir that redefines sex, drugs, and rock 'n' roll.

For the first time ever, Slash tells the tale that has yet to be told from the inside: how the legendary band Guns N' Roses came together, how they wrote the music that defined an era, how they survived insane, never-ending tours, how they survived themselves, and, ultimately, how it all fell apart. Slash is a window into the world of the notoriously private guitarist and a front seat on the roller-coaster ride that was one of history's greatest rock 'n' roll machines, always on the edge of self-destruction, even at the pinnacle of its success. Slash is everything Slash is: funny, honest, ingenious, inspiring, jaw-dropping . . . and, in a word, excessive.

The End of Organized Capitalism argues that - despite Marx's and Weber's insistence that capitalist societies become increasingly more ordered - we now live in an era of 'disorganized capitalism'. The book is devoted to a systematic examination of the shift to disorganized capitalism in five Western nations (Britain, the USA, France, Germany and Sweden).

This ground-breaking book addresses transformations in the understanding of time and the generation and degeneration of value at the cutting edge of modernity and postmodernity. The book is a multi-disciplinary contribution to current work in the social sciences, in cultural theory and in more pragmatic areas such as advertising and global communication. It brings together the work of distinguished international scholars and new young thinkers.

"Time and Value" contains an exploration of such themes as the timescapes of nature and the impact of disease, ecological catastrophe, and many other issues. In theoretical terms, the collection draws in particular upon writers such as Jacques Derrida, Michel Serres, Paul Virilio and Martin Heidegger, whose work is particularly relevant in considering how technology has had a powerful impact upon the construal of time and the explanation of how time constructs human lives in late modernity.

The compression of time and its fragmentation correspond with a collapse in and reconstruction of value systems. This deconstruction of time is juxtaposed with a range of possibilities that emerge when the specific times of the media, literature, art, virtuality, nature, performance, fashion, semiotic codings, spirituality, the self and the body are understood as creative opportunity.